Thursday, 5 December 2013

How to get the best out of your digital camera

With a digital camera, you can also take as many pictures as you want without worrying about wasting film. You can look at pictures right away and decide whether to keep them or delete them. And, you can print only the images you want -- you don't have to process whole rolls of film and then figure out where to store all the pictures.
But digital cameras also have a few disadvantages. A film camera can take a picture almost immediately when you press the button. Digital cameras, on the other hand, can take a few seconds, especially if they're making adjustments automatically. They also require more light than traditional cameras do. Sometimes, the abundant space on a memory card encourages people to take so many pictures that they're not sure what to do with them later.

It is good to remember that a digital camera is a lot like a film camera, but it uses a sensor and a memory card in place of film. When you take a picture, a digital shutter opens and exposes the sensor to light. The sensor reacts to the light, and the memory card stores the resulting picture.
The light that hits the sensor determines virtually everything about the picture. Your camera may be able make some adjustments, but it has to work with the amount and type of light that it receives. You can control how the light hits the sensor with three settings:
  • The focus adjusts the lens in relation to the sensor, making sure that the light converges on the sensor's surface. Most digital cameras have an automatic focus feature, but a few focus manually and have interchangeable lenses.
  • The aperture, measured in f-stops, determines how wide the shutter opens. A wide opening lets in more light, and a narrow opening lets in less. Higher f-stops mean that the opening is smaller, and lower f-stops mean that it is larger. The aperture determines the picture's depth of field, or how much of the picture is in focus. At low f-stops, the foreground of the picture will be in focus while the background is out of focus. At high f-stops, objects in both the foreground and background are in focus.
  • The shutter speed determines how long the shutter is open. The longer it's open, the more light will hit the sensor. If you or your subject is moving while the shutter is open, the image will be blurred.

On most cameras, you can manually adjust the aperture and shutter speed. This can reduce the amount of time between when you press the button and when the shutter opens. Most cameras also have a fully automatic mode that adjusts the settings, including the focus, for you. You can take lots of good, clear pictures with this mode. Many cameras also have several presets for capturing portraits, fast action or outdoor scenes.
But automatic exposure might not be best for every situation, so understanding f-stop, shutter speed and presets can make a huge difference in how well your camera works for you. Being able to set the exposure on your own will also let you cut down the amount of time between when you press the bu
On most cameras, you can manually adjust the aperture and shutter speed. This can reduce the amount of time between when you press the button and when the shutter opens. Most cameras also have a fully automatic mode that adjusts the settings, including the focus, for you. You can take lots of good, clear pictures with this mode. Many cameras also have several presets for capturing portraits, fast action or outdoor scenes.
But automatic exposure might not be best for every situation, so understanding f-stop, shutter speed and presets can make a huge difference in how well your camera works for you. Being able to set the exposure on your own will also let you cut down the amount of time between when you press the button and when the shutter opens. In other words, you can take the picture you want before the moment passes. You can learn more about setting exposure by taking several pictures of the same scene using different settings and seeing how the finished product changes.
tton and when the shutter opens. In other words, you can take the picture you want before the moment passes. You can learn more about setting exposure by taking several pictures of the same scene using different settings and seeing how the finished product changes.

Adapted from howstuffworks.com

Thursday, 19 September 2013

Which Camera to buy?

Answering the question 'what digital camera should I buy?' has become much more difficult lately, because there are more types of camera available, with the rise of compact system cameras (CSCs), smart cameras with Wi-Fi and GPS, bridge or superzoom cameras, retro-styled cameras, high-end camera phones and more.
When deciding which camera is best for you, first you need to decide which type of camera you want, then choosing a brand and a model will be easier.
CSCs - also known as mirrorless cameras - reap the benefits of digital technology and exclude the mirror found in a DSLR to enable them to be made smaller and lighter while still accepting interchangeable lenses. A key advantage that most CSCs have over most compact cameras is that the sensors are larger so that they can deliver better image quality, while still having a relatively small body.
But perhaps an even smaller compact camera with a fixed rather than an interchangeable lens is what you are looking for?


Alternatively, a bridge or superzoom camera may be up your street. Bridge cameras are so called because they bridge the gap between a DSLR and a compact camera by having a mini-DSLR shape but with a fixed lens that usually has a huge zoom range.
For many photography enthusiasts, a full DSLR is still the only way to go. Yes they are big and heavy, but they have optical viewfinders, larger sensors and, in the right hands, produce top-rate images.
Each camera type has its appeal, but which is the right one for you? Read on to find out.

Compact and bridge cameras

Credits: Various

Saturday, 10 August 2013

Professional cameras: What is a Professional Camera

Everyone has different definitions.
 Even funnier, professional cameras are more often owned by hobbyists than by professional photographers!

People bicker over shades of meaning of "professional," but the real issue is that they're each discussing different levels. 
Professional means three different things when applied towards a camera, an occupation or a person's behavior.
Cameras Used by Professional Photographers 


PHOTO CREDITS : The Digital Picture.com

Professional photographers photograph to make money. 

They use whatever cameras make them the most money. The less expensive the camera, the better.

Today, with digital cameras effectively being disposable as the technology advances, I see loads of professional photographers using D70s and D50s to shoot paying jobs.
A few thousand extra dollars not squandered on a D3 keeps that money in their pockets. 

Professional Cameras
 My dad taught me that decades ago when shopping for magnetic recording tape. All the crummy stuff was marked "Professional Quality" and of course the good stuff didn't have to be.
I define a professional camera by its durability and utility. If it says "professional," it probably isn't.
Durability means a professional camera must not have plastic parts that wear, like plastic battery doors, plastic CF card doors, plastic door catches, plastic filter threads, plastic rewind cranks or plastic lens mounts. 

Professional cameras must have utility. They have to be easy to use and provide instant access to all adjustments. 
Today that means a professional camera must provide direct access at least to each of exposure mode, shutter speed, aperture, ISO, white balance and quality settings. 

Direct access means access via a single-function button for each adjustment.
 Access only by menu or by multi-function button doesn't count.
 
Native Flash sync speed has to be at least 1/250, ideally 1/500 or 1/1,000. Slow sync speeds make it difficult to get enough flash range, and make it impossible to stop action. 

Trick modes like Nikon's FP mode don't count. See my Flash sync page for details.
The camera has to be part of a larger system with future compatibility and expandability. The lenses must cover every possible need, today, not tomorrow.

Oddly, professional cameras are more often owned by professionals like physicians, CPAs, engineers and lawyers than they are by photographers. Professional photographers don't spend money if they don't have to - it's a business. Photography is not a profession, although many photographers behave professionally.

Adapted from  KenRockwell.com


Tuesday, 6 August 2013

The Super Zoom Cameras/Bridge Cameras


 These cameras are a rung above the digital compact point and shoot cameras.




Super zoom cameras (also called bridge cameras) offer the look and feel of a DSLR with a built in huge zoom lens. Typically they include advanced features and manual controls not found in most digital cameras.

 Interested in a super zoom digital camera ? Here we've rounded up the top ten (out of 81) super zoom digital cameras . Some of the top manufacturers of super zoom digital cameras are Nikon, Canon and Fujifilm.

 1. PowerShot SX50 HS
 2.Nikon Coolpix P520
3.Nikon Coolpix L820


5.Nikon Coolpix P510
6.Canon PowerShot SX500 IS
7.Panasonic Lumix DMC-FZ200

8.Sony Cyber-shot DSC-HX200V
9.Nikon Coolpix L810
10. Canon Powershot SX40
More to follow..............................................................................................